Odgovor: |
KNJIGE:
- Eksperimentalni film. // Filmska enciklopedija. Sv. 1 : A - K. Zagreb : Jugoslavenski leksikografski zavod "Miroslav Krleža", 1986. - sign. 791.43(03)sv1 /FIL/
- Peterlić, Ante. Osnove teorije filma. Zagreb : Akademija dramske umjetnosti : Hrvatska sveučilišna naklada, 2018. [i.e.] 2017. - sign. 791.43 /PET/ o
- Rees, A. L. Povijest eksperimentalnog filma i videa : od kanonske avangarde do suvremene britanske prakse. Zagreb : 25 FPS, udruga za audio-vizualna istraživanja, 2016. - sign. 791.43(091) /REE/ p
- Turković, Hrvoje. Teorija filma : prizor, montaža, tematizacija. Zagreb : MeandarMedia, 2012. - sign. 791.43 /TUR/ t
- Prošireni film / odabrale i uredile Mirna Belina i Marina Kožul. Zagreb : Udruga 25 FPS, 2009. - sign. 791.43.01 /PRO/
- Gilić, Nikica. Filmske vrste i rodovi. Zagreb : AGM, 2007. - sign. 791.43 /GIL/ f
ČLANCI U ČASOPISIMA:
- Turković, Hrvoje. Tipovi filmskih vrsta. // Hrvatski filmski ljetopis. - 12 (2006), 47 ; str. 3-29
- Turković, Hrvoje. Što je eksperimentalni (avangardni, alternativni) film?. // Zapis. Bilten Hrvatskog filmskog saveza. - 38 (2002), posebni broj ; str. 28-38
INTERNETSKI IZVORI (10.03.2023.):
- Pierson, Michele. The Accessibility of the Avant-Garde: Talk about American Experimental Cinema. // Discourse. - 40 (2018), 1 ; str. 3-29. URL: https://www.jstor.org/stable/pdf/10.13110/discourse.40.1.0003.pdf
- Alfaro, Kristen. Access and the experimental film: new technologies and anthology film archives' institutionalization of the avant-garde. // The Moving Image. - 12 (2012), 1 ; str. 44-64. URL: https://www.jstor.org/stable/pdf/10.5749/movingimage.12.1.0044.pdf
- Walley, Jonathan. Identity crisis: Experimental film and artistic expansion. // October. - 137 (2011) ; str. 23-50. URL: https://www.jstor.org/stable/pdf/23014886.pdf
- Dixon, Wheeler Winston. Performativity in 1960s American Experimental Cinema: The Body as Site of Ritual and Display. // Film Criticism. - 23 (1998), 1 ; str. 48-60. URL: https://www.jstor.org/stable/pdf/44018930.pdf
- Bayma, Todd. Art world culture and institutional choices: the case of experimental film. // The Sociological Quarterly. - 36 (1995), 1 ; str. 79-95. URL: https://www.jstor.org/stable/pdf/4121278.pdf
- Cripps, Thomas. Paul Robeson and black identity in American movies. // The Massachusetts review. - 11 (1970), 3 ; str. 468-485. URL: https://www.jstor.org/stable/pdf/25088007.pdf
- Jacobs, Lewis. Experimental Cinema in America (Part Two: The Postwar Revival). // Hollywood Quarterly. - 3 (1948), 3 ; str. 278-292. URL: https://www.jstor.org/stable/pdf/1209699.pdf
- Jacobs, Lewis. Experimental Cinema in America:(Part One: 1921-1941). // Hollywood Quarterly. - 3 (1947), 2 ; str. 111-124. URL: https://www.jstor.org/stable/pdf/1209356.pdf
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