Pitanje br. 18217
 
Pitanje: 
 Utjecaj filmske industrije na recepciju identiteta/skupina
Odgovor: 
 KNJIGE:

  1. Vojković, Saša. Cirkularnost utjecaja : fragmenti filma svijeta. Zagreb : Hrvatski filmski savez, 2020. - sign. 791.43 /VOJ/ c

  2. Beller, Jonathan. Kinematički način proizvodnje : ekonomija pažnje i društvo spektakla. Zagreb : Naklada Jesenski i Turk, 2016. - sign. 791.01 /BEL/ k

  3. Stanić, Saša. Fragmenti slike svijeta : kritička analiza suvremene filmske i medijske produkcije. Rijeka : Facultas, 2012. - sign. 791.43 /STA/ f

  4. Vojković, Saša. Filmski medij kao (trans)kulturalni spektakl : Hollywood, Europa, Azija. Zagreb : Hrvatski filmski savez, 2008. - sign. 791.43 /VOJ/ f

  5. Malović, Stjepan. Mediji i društvo. Zagreb : Sveučilišna knjižara ; Opatija : ICEJ, International Center for Education of Journalists from Central and Eastern Europe, 2007. - sign. 316.7 /MAL/ m


INTERNETSKI IZVORI (06.05.2023.):


  1. GLAAD 2022 Studio Responsibility Index. // GLAAD, 2022. URL: https://cdn-cf.glaad.org/sites/default/files/GLAAD%202022%20Studio%20Responsibility%20Index.pdf

  2. Cheng, Yimin... [et al.]. LGBT-Inclusive representation in entertainment products and its market response: evidence from field and lab. // Journal of Business Ethics. - (2022) ; str. 1-21. URL: https://researchmgt.monash.edu/ws/portalfiles/portal/408717339/373541467_oa.pdf

  3. LGBTQ Characters Got More Movie Screen Time In 2020, GLAAD Study Finds. // NPR, 2021. URL: https://www.npr.org/2021/07/16/1016801763/lgbtq-characters-got-more-movie-screen-time-in-2020-glaad-study-finds

  4. Thomson, Katelyn. An analysis of LGBTQ+ representation in television and film. // Bridges: An Undergraduate Journal of Contemporary Connections. - 5 (2021), 1 ; str. 1-10. URL: https://scholars.wlu.ca/cgi/viewcontent.cgi?article=1053&context=bridges_contemporary_connections

  5. Dhaenens, Frederik. Pink programming across Europe: exploring identity politics at European LGBT film festivals. // StudieS in european Cinema. - 15 (2018), 1 ; str. 72-84. URL: https://core.ac.uk/download/pdf/153396659.pdf

  6. Kaur, Pushpinder. Gender, Sexuality and (Be) longing: The Representation of Queer (LGBT) in Hindi Cinema. // Amity Journal of Media & Communications Studies (AJMCS). - 7 (2017), 1 ; str. 22-30. URL: https://amity.edu/UserFiles/asco/journal/ISSUE50_3.%20Pushpinder.pdf

  7. McInroy, Lauren B.; Craig, Shelley L. Perspectives of LGBTQ emerging adults on the depiction and impact of LGBTQ media representation. // Journal of youth studies. - 20 (2017), 1 ; str. 32-46. URL: https://rb.gy/70fmk

  8. Richards, Stuart. A new queer cinema renaissance. // Queer Studies in Media & Popular Culture. - 1 (2016), 2 ; str. 215-229. URL: https://www.academia.edu/download/53853769/NQCR.pdf

  9. Dawson, Leanne. Queer European cinema: Queering cinematic time and space. // Studies in European Cinema. - 12 (2015), 3 ; str. 185-204. URL: https://www.tandfonline.com/doi/full/10.1080/17411548.2015.1115696

  10. Drezgić, Rada; Krstić, Predrag. Who is (still) afraid of queer: Homosexual and transgender strategies of star trek. // Filozofija i društvo. - 24 (2013), 3 ; str. 196-211. URL: http://www.doiserbia.nb.rs/ft.aspx?id=0353-57381303196D

  11. Cover, Rob. First contact: Queer theory, sexual identity, and “mainstream” film. // International Journal of Sexuality and Gender Studies. - 5 (2000), 1 ; str. 71-89. URL: https://citeseerx.ist.psu.edu/document?repid=rep1&type=pdf&doi=b3036f3fd9dcaa2b5a9b0b12b39fb4f416a28ac8

  12. Hennessy, Rosemary. Queer visibility in commodity culture. // Cultural critique. - 29 (1994) ; str. 31-76. URL: https://www.jstor.org/stable/pdf/1354421.pdf
UDK pojmovi: 
791 Kinematografija. Film
Predmetnice: 
 Filmska umjetnost, LGBTIQ osobe, Popularna kultura