Odgovor: |
KNJIGE:
- Vojković, Saša. Cirkularnost utjecaja : fragmenti filma svijeta. Zagreb : Hrvatski filmski savez, 2020. - sign. 791.43 /VOJ/ c
- Beller, Jonathan. Kinematički način proizvodnje : ekonomija pažnje i društvo spektakla. Zagreb : Naklada Jesenski i Turk, 2016. - sign. 791.01 /BEL/ k
- Rondolino, Gianni. ABC filma : jezik, pripovijest, analiza. Dubrovnik : Udruga Kinookus, 2016. - sign. 791.43(091) /RON/ a OP
- Stanić, Saša. Fragmenti slike svijeta : kritička analiza suvremene filmske i medijske produkcije. Rijeka : Facultas, 2012. - sign. 791.43 /STA/ f
- Peterlić, Ante. Povijest filma : rano i klasično razdoblje. Zagreb : Hrvatski filmski savez, 2008. - sign. 791.43(091) /PET/ p
- Vojković, Saša. Filmski medij kao (trans)kulturalni spektakl : Hollywood, Europa, Azija. Zagreb : Hrvatski filmski savez, 2008. - sign. 791.43 /VOJ/ f
- Malović, Stjepan. Mediji i društvo. Zagreb : Sveučilišna knjižara ; Opatija : ICEJ, International Center for Education of Journalists from Central and Eastern Europe, 2007. - sign. 316.7 /MAL/ m
ČLANCI U ČASOPISIMA:
- Lučić, Krunoslav. The Representation of Minorities in Contemporary Croatian Film. // Umjetnost riječi. - 60 (2016), 3-4 ; str. 231-260
INTERNETSKI IZVORI (22.05.2023.):
- Erigha, Maryann. Race, gender, Hollywood: Representation in cultural production and digital media's potential for change. // Sociology compass. - 9 (2015), 1 ; str. 78-89. URL: https://compass.onlinelibrary.wiley.com/doi/pdf/10.1111/soc4.12237
- Lykidis, Alex. Minority and immigrant representation in recent European cinema. // Spectator. - 29 (2009), 1 ; str. 37-45. URL: https://cinema.usc.edu/archivedassets/096/15613.pdf
- Grassilli, Mariagiulia. Migrant cinema: Transnational and guerrilla practices of film production and representation. // Journal of Ethnic and Migration Studies. - 34 (2008), 8 ; str. 1237-1255. URL: https://scholar.archive.org/work/kylau5kvcffnlmtj2j3pphrqpm/access/wayback/http://www.cronistas.org/wp-content/uploads/2014/02/Migrant-Cinema-Transnational-and-Guerrilla-Practices-of-Film-Production-and-Representation-Mariagiulia-Grassilli.pdf
- Eschholz, Sarah... [et al.]. Symbolic reality bites: Women and racial/ethnic minorities in modern film. // Sociological Spectrum. - 22 (2002), 3 ; str. 299-334. URL: https://www.researchgate.net/profile/Sarah-Britto/publication/238399681_Symbolic_Reality_Bites_Women_and_RacialEthnic_Minorities_in_Modern_Film/links/5543c36e0cf23ff7168522d0/Symbolic-Reality-Bites-Women-and-Racial-Ethnic-Minorities-in-Modern-Film.pdf?_sg%5B0%5D=started_experiment_milestone&origin=journalDetail
- Everett, Anna. Lester Walton's "Écriture Noir": Black Spectatorial Transcodings of "Cinematic Excess". // Cinema Journal. - 39 (2000), 3 ; str. 30–50. URL: https://www.jstor.org/stable/1225532
- Zhang, Yingjin. From "minority film" to "minority discourse": Questions of nationhood and ethnicity in Chinese cinema. // Cinema Journal. - (1997) ; str. 73-90. URL: https://www.jstor.org/stable/pdf/1225676.pdf
- Diawara, Manthia. Noir by noirs: Towards a new realism in black cinema. // African American Review. - 27 (1993), 4 ; str. 525-537. URL: https://www.jstor.org/stable/pdf/3041886.pdf
- Lott, Tommy L. A no-theory theory of contemporary black cinema. // Black American Literature Forum. - 25 (1991), 2 ; str. 221-236. URL: https://www.jstor.org/stable/pdf/3041684.pdf
- Clark, Paul. Ethnic minorities in Chinese films: cinema and the exotic. // East-West Film Journal. - 1 (1987) ; str. 15-31. URL: https://scholarspace.manoa.hawaii.edu/bitstream/10125/30690/1/filmjournal00102.pdf#page=19
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