Pitanje br. 9792
 
Pitanje: 
 Joseph Conrad "Srce tame" - tipične značajke modernizma
Odgovor: 
 Knjige:

  1. Vidan, Ivo: Pomorčeve pripovjedačke tajne // Lord Jim ; Srce tame / Joseph Conrad. Zagreb : Školska knjiga, 1999 ; Str. 427-436 - sign. 820-3 /CON/ l

  2. Jukić, Tatjana: Tamno srce pripovijedanja: Conrad i Solar // Znanstveno djelo prof. dr. sc. Milivoja Solara ; Hrvatska književnost 20. stoljeća, različite ideje i funkcije književnosti : zbornik radova sa IV. znanstvenog skupa s međunarodnim sudjelovanjem, (Zagreb, 26. IX. - 27. XI. 2004.). Zagreb : Altagama, 2006 - sign. 886.2.09 /ZNA/ z

  3. Duda, Dean: Kultura putovanja : uvod u književnu iterologiju. Zagreb : Naklada Ljevak, 2012 - sign. 82.09 /DUD/ k

  4. Povijest svjetske književnosti : [u osam knjiga] Zagreb : Mladost, 1974-1982 - Knj. 6 : [Keltska, engleska i sjevernoamerička književnost; ostale književnosti engleskog jezičnog izraza i afričke književnosti] / napisali Padraig O'Riain... [et al.] ; uredili Breda Kogoj-Kapetanić, Ivo Vidan - sign. 82(091)sv6 /POV/


Članci u časopisima:


  1. Grbić, Igor: Što je Kurtz Marlowu? // Književna smotra. - 37 (2005), 2/3(136/137) ; str. 73-79

  2. Easthope, Antony: Visoka kultura / popularna kultura : Srce tame i Tarzan među majmunima // Quorum. - 17 (2001), 4 ; str. 156-188


EBSCO HOst (pristup u GISKO ili putem CARNet Centra za online baze - Proxy):


  1. NAYAK, SRILA. "Two Narratives of Modernism in Heart of Darkness." Conradiana 44, no. 1 (Spring2012 2012): 29-49. Academic Search Complete, EBSCOhost (accessed May 20, 2015).

  2. Just, Daniel. "Between Narrative Paradigms: Joseph Conrad and the Shift from Realism to Modernism from a Genre Perspective." English Studies 89, no. 3 (June 2008): 273-286. Academic Search Complete, EBSCOhost (accessed May 20, 2015).

  3. DRYDEN, LINDA. "THE DIFFERENCE BETWEEN US": CONRAD, WELLS, AND THE ENGLISH NOVEL." Studies In The Novel 45, no. 2 (Summer2013 2013): 214-233. Academic Search Complete, EBSCOhost (accessed May 20, 2015).

  4. Che-ming, Y. (2010). Representing The Unspeakable Trauma: A Deleuzian Reading Of Conrad's Heart Of Darkness. Arts & Social Sciences Journal, 1-10.

  5. WHITE, H., & FINSTON, I. L. (2010). The Two River Narratives in Heart of Darkness. Conradiana, 42(1/2), 1-43.

  6. SKINNER, S. (2010). Obscurity, Apophasis, and the Critical Imagination: The Unsayable in Heart of Darkness. Conradiana, 42(1/2), 93-106.

  7. Elliott, D. (1985). HEARING THE DARKNESS: THE NARRATIVE CHAIN IN CONRAD'S HEART OF DARKNESS. English Literature In Transition, 1880-1920, 28(2), 162-181.

  8. Solinger, F. (2008). "Absurd be--exploded!": Re- Membering Experience through Liminality in Conrad's Heart of Darkness. Conradiana, 40(1), 61-70.

  9. Kimmel, M. (2005). From Metaphor to the"Mental Sketchpad": Literary Macrostructure and Compound Image Schemas in Heart of Darkness. Metaphor & Symbol, 20(3), 199-238.




 
UDK pojmovi: 
Engleska književnost
Predmetnice: 
 Engleska književnost